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- Author: Jane Allen, J. E. Smyth
- Publisher: VINTAGE
- Year: 2019
- Pages: 224
- ISBN-10: 1984897764
- ISBN-13: 9781984897763
- Format: 13.4 x 20.6 x 2.2 cm, minkšti viršeliai
- Language: English
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Reviews
Description
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter, is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand. In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (based on Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
The promotion ends in 
- Author: Jane Allen, J. E. Smyth
- Publisher: VINTAGE
- Year: 2019
- Pages: 224
- ISBN-10: 1984897764
- ISBN-13: 9781984897763
- Format: 13.4 x 20.6 x 2.2 cm, minkšti viršeliai
- Language: English English
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter, is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.
Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand. In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie.
The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (based on Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Reviews